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Born to us this day...

Oct. 27th, 2008 | 07:18 pm
location: Poughkeepsie, New York
music: Nurse With Wound - Soliloquy for Lilith

TWINS























In the photo above :

Gage Nikkal Caigan to the left,  and Tuli Viatrix Caigan on the right.

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Planetary Hours, part two

Jul. 24th, 2008 | 10:01 pm
music: Maddy Prior - Sheath & Knife

Dan writes : Even if the calculation of the planetary hours is a technique requiring some calculation, doesn't that pale in comparison with the requirements to draw up an astrological chart for a given time and place?

Khem responds : Ever hear that old chestnut, "The life so short; the craft so long to learn" ?

Asking any craftsperson or artist if what they do is difficult is to miss the point altogether.

Of course it is difficult - the point is that it satisfies the soul.

I also suggest that you try asking some of the astrologers at a SCA tournament how they cast their charts all day long - like as not, they'll tell you that it's all about the training and the tables.

As James Evans writes in his History and Practice of Ancient Astronomy, "The tedium involved in a strict calculation can be reduced with the aid of planetary tables."

A handful of astrologers still employ astrolabes or some other tool for taking a sight, for the same reason that some navigators still use a sextant (or even an astrolabe) instead of GPS - pride of craft.

Here is an example of what I mean :

The Tools of the Trade:
An Astronomer's Notebook
http://tinyurl.com/63smsj

And here is a link to an article about a table with some stone markers that could be moved around on it to cast horoscopes for clients that was used by itinerant astrologers working the streets many centuries ago :

James Evans - The astrologer's apparatus: a picture of professional practice in Greco-Roman Egypt
in : Journal for the History of Astronomy, Vol. 35, Part 1, No. 118, pages 1 - 44, 2004.
http://tinyurl.com/58g3oz

Note the resemblance to the game of Astrological Chess described by Alfonso X in his Liber Acedrex :

http://tinyurl.com/6m5hxo

And here is a link to a page that has a better diagram of such a table :

Medieval Cosmology
http://tinyurl.com/6ptdna

Anyway, to return to your question :

The same procedures that generate the planetary hours for a given day of the year and for a given degree of latitude also provide a way to slice the local horizon into Houses.

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The Mystical Kabbalah of Abraham Elim : Planetary Hours

Jul. 22nd, 2008 | 05:15 pm
music: Stars of the Lid - The Atomium

I am having a lot of trouble with Dan Harms' blogware - for some reason, my responses to his posts keep getting discarded.

So I am going to continue posting my remarks on his essays here, and hope that his comments are better received on LiveJournal.

All interested parties can see the original post here :

The Book of the Sacred Magic of Abramelin, Part 6
http://tinyurl.com/67txxx

Dan Harms writes :

" The planetary hours are a sort of poor man's astrology, perhaps conceived of as an early effort to integrate planetary influences into magic practiced by people with no astrological training themselves.

The idea is pretty simple; each day and night is divided into twelve hours each, and each hour is attributed to a particular planet. The first hour of each day is attributed to the planet, or the corresponding deity, for which the day is named. "

The author of the *Mystical Kabbalah* argues that the planets do not necessarily appear anywhere in the local sky during their respective planetary hours.

Although he may feel that this is a legitimate grievance against the system of the planetary hours, and although this same argument turns up again and again in the writings of practitioners and scholars of magic ( perhaps with no astrological training themselves(?)), the argument is a 'red herring' that has nothing whatsoever to do with the practice of astrological magic.

Far from being a " poor man's astrology ", the procedure for deriving the planetary hours is a remarkably sophisticated way of dividing the local horizon into astrological Houses at the practitioner's own Latitude and during a given Season, based on the appearance of the Sun upon the horizon in the East, and the amount of time the Sun takes to traverse the local sky and disappear in the West.

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Sumer Is Icumen In

Jul. 1st, 2008 | 02:22 am
music: Bill Laswell - Baron Samedi

On pages 134 -135 of The Necronomicon Files: The Truth Behind Lovecraft's Legend, by Daniel Harms and John Wisdom Gonce <http://tinyurl.com/3zwqa3>, there is some discussion about the author's attempts at locating the source of a quote cited in the Simonomicon that supposedly originates with Aleister Crowley, to wit :

" Our work is therefore historically authentic, the rediscovery of the Sumerian Tradition. "

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Watching Paint Dry...

Jul. 1st, 2008 | 01:41 am
music: Ray Peterson - Nine Flames

Our house is getting on in years, and the outside of it has never been painted. Here is a photo that Emily took this past Winter :
House in Winter 2008
























The garage to the right is new, and it clearly hasn't been painted, either.

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The Visitor

Jun. 26th, 2008 | 07:59 pm
music: Bill Laswell - Set Rising

We are *still* unpacking, but we are now very happily at home in our new digs across from the Ashokan Reservoir in the Catskill Park of New York State.

I was moving crates of equipment between our house and the garage, and caught something bright out of the corner of my eye :

Salamander













Looks like we have salamanders in our new neighborhood!

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Ready to Rock

Nov. 15th, 2006 | 12:43 am
music: Ranga - Gobi Trail


I just returned from a workshop given this past weekend in Brooklyn, New York by a Master in the art of preparing and then applying Natural Pigments:
 
Michael Price.

MICHAEL PRICE

Beginning early Saturday morning at his studio on 68 Jay Street in DUMBO and ending early Sunday evening, Michael took our group - Irvin, Jock, and myself - through all the steps of preparing a natural pigment - in this case, a chunk of the mineral Azurite - for use in tempera and oil.

Michael spent the last seven years developing his protocol, which he shared with us in every detail.

If you have ever tried to paint with crushed gemstone before, you were probably quite dismayed as your brilliantly colored mineral matter was slowly transformed under your ministrations into a greyish mud, that no addition of oil or any of our modern synthetic mediums could render luminous.

PRIMA MATERIA

 


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Oiling Out

Nov. 9th, 2006 | 02:02 pm
music: Encomiast - Schlafern

Time to start putting out the
next year's batch of olive oil.

Here is a photo that shows
some of last year's oil, which
looks bright yellow, beside
some of the new oil, which
looks quite green.
WALNUT AND OLIVE OILS

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Pastina Lente

Nov. 8th, 2006 | 03:32 pm
music: Caspar Trott - Motet in 5 Parts

I made up a batch of Library
Paste the other day.

I don't suppose that this stuff
is much good for anything
other than putting up notices
or for mailings, but it is the
first step in preparing an
old pasteboard formula that
I am trying to duplicate.

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Digestive Systems

Oct. 30th, 2006 | 03:43 pm


I referred to a 'Digester' in passing in my
Levigated Goo post. Figure now is as good
a time as any to share with y'all how I
go about making one of these things.

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The Witches' Voice

Oct. 29th, 2006 | 08:17 pm

I listed my blog in the WitchVox directory today.

The Witches' Voice

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American Magus / Harry Smith: A Modern Alchemist

Oct. 26th, 2006 | 09:49 pm

The following interview is taken
with the permission of the editor
from:
American Magus / Harry Smith:
A MODERN ALCHEMIST,
Edited by Paola Igliori,
New York:
INANOUT PRESS,
1996, ISBN 0-9625119-9-4.

The Smith

Khem Caigan
November 1, 1995 e.v.

Paola: It's strange, this is the first time we meet, so I don't really know how to angle the conversation. All I know is that you were a really good friend of Harry and you spent a lot of time with him, and also I was thinking of these notes that caught my attention this morning and I couldn't find any further explanation. They said that Harry was working on a system of equating the Enochian system to the Scottish Highland tartan patterns. And on the way over here I thought maybe I can ask Khem about it and now after five minutes with you, you bring out this book on the Enochian system, so I think that's how we should start.


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Reposting old interview

Oct. 26th, 2006 | 09:40 pm
music: Chihei Hatakeyama - Granular Haze

Just finished wrangling with the html of an old interview, and will be posting it forthwith. Thanks to Philip Smith and Emily for some good-spirited nudging.

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Levigated Goo

Sep. 27th, 2006 | 01:15 am
music: Alan Lamb - Primal Image


I saw some cheap day-glo paints at our local
pharmacy a few weeks ago.

The wrapper claimed that it was totally kid-safe,
non-toxic, washable, yadda-yadda.

Since the company that markets these paints is
affiliated with Elmer's glue, I figured that the
binder for the pigment would be some glue or other
that might rinse out if I diluted it with enough
water and let it settle for a while.

 

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Better Run Through the Ganjah

Jun. 16th, 2006 | 10:17 pm
music: Steve Roach - Distant Signals

I came across this account the other day:

" Such, then, is the way in which the Arabians obtain
their frankincense; their manner of collecting the
cassia is the following:

- They cover all their body and their face with the
hides of oxen and other skins, leaving only holes for
the eyes, and thus protected go in search of the cassia,
which grows in a lake of no great depth.

All round the shores and in the lake itself there dwell
a number of winged animals, much resembling bats, which
screech horribly, and are very valiant.

These creatures they must keep from their eyes all the
while that they gather the cassia. "

~ from *THE HISTORY OF HERODOTUS*
by Herodotus circa 440 BCE
Translated by George Rawlinson in 1858-1860
The Third Book, Entitled THALIA

http://tinyurl.com/qvsok

I spend a lot of time trying to suss out what cobbers
like Herodotus and Pliny might have had on their minds
when they go on about stuff like this. Occasionally it
pays off - as, for example, when Pliny set me off on a
tangent regarding the manufacture of gems.

Read more... )

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EARLY DIFFUSION AND FOLK USES OF HEMP

Jun. 10th, 2006 | 12:58 pm
music: Maggi Payne - Moiri

BENETOWA-KONOPIE

                            KONOPIE

Here is the original article that re-kindled
all the old arguments about the presence of
cannabis in the Torah / Old Testament when
it was printed in 1975:

EARLY DIFFUSION AND FOLK USES OF HEMP
SULA BENET < -aka- SARA BENETOWA >

[ from *Cannabis and Culture*, Vera Rubin &
Lambros Comitas, (eds.), 1975, pgs. 39-49 ]

ABSTRACT

Despite the growing volume of literature on the subject of
hemp, the historical routes of its diffusion remain obscure
and there is scant reference to its ubiquitous role in folk
ritual, magic and medicine among European peasantry.

The term cannabis, itself, has been considered to be of
Indo-European origin. The paper re-examines the origin of
the term cannabis to demonstrate its derivation from Semitic
languages.

Read more... )

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Anointing Oil & Kaneh Bosem

Jun. 10th, 2006 | 12:33 pm
music: Vir Unis-Resonate & Glow-BTW

There was a bit of activity on the Abramelin(sic)
Yahoo!-list the other day, regarding the identity of
keneh bosem, and I have pasted part of my response
below:

                   -----)O(-----

See the entry "Exodus » Chapter 30", from
'Navigating the BIBLE', on bible.ort.org:

fragrant cane

Keneh bosem in Hebrew. Ancient sources identify
this with the sweet calamus (Septuagint; Rambam on
Kerithoth 1:1; Saadia; Ibn Janach). This is the
sweet flag or flag-root, Acoras calamus which grows
in Europe.

It appears that a similar species grew in the Holy
Land, in the Hula region in ancient times
(Theophrastus, History of Plants 9:7). Other sources
apparently indicate that it was the Indian plant,
Cympopogan martini, which has the form of red straw
(Yad, Kley HaMikdash 1:3).

On the basis of cognate pronunciation and Septuagint
readings, some identify Keneh bosem with the English
and Greek *cannabis*, the hemp plant.

There are, however, some authorities who identify the
'sweet cane' with cinnamon bark (Radak, Sherashim).
Some say that kinman is the wood, and keneh bosem is
the bark (Abarbanel).

http://tinyurl.com/zdq5x

See also the following dictionaries:

Hayim Baltsan ~ Webster's New World Hebrew Dictionary:
Hebrew/English English/Hebrew, 1994, ISBN: 0671889915,
pg. 650.

Eliezer ben-Yehuda ~ Pocket English-Hebrew/ Hebrew-English
Dictionary, 1961 [ re-issued 1989, ISBN: 0671688626 ],
pg. 140.

[ see also: Eliezer ben-Yehuda ~ A Complete Dictionary
of Ancient and Modern Hebrew, in 8 volumes; NY: Thomas
Yoseloff, 1960. ]

The modern Hebrew word transliterated as 'kanabos' is
translated as "hemp", the English word for cannabis.

Taken together, these dictionaries suggest that
cannabis : kaneh bosem : kanabos - and *not*
Calamus - is an ingredient of the original anointing
oil described in Exodus 30, if not an ingredient of
the anointing oils manufactured for Thelemites, &tc.

See, too, the entries regarding hemp in Abano, Wierus,
Agrippa, Lilly, &tc.

And for more along these lines, I recommend:

Claudia Muller-Ebeling & Christian Ratsch ~
Witchcraft Medicine: Healing Arts, Shamanic Practices,
and Forbidden Plants, 2003, ISBN: 0892819715.

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Superconductivity Theory Verified

May. 30th, 2006 | 11:27 pm
music: Galactic Anthems - Beyond The Edge


20-Year-Old High-Temperature Superconductivity Theory Verified from PhysOrg.com

A French-German team of experimental scientists, led by Philippe Bourges of the Commissariat а l'Energie Atomique, France, reports that it has verified the central prediction of a theory on high-temperature superconductivity developed by Chandra Varma, distinguished professor of physics at UC Riverside. The verification ultimately could assist in the fabrication of materials that are superconducting at room temperature and help settle a contentious, international debate on the fundamental physics of superconductivity and emergent states of matter.
[...]

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Israeli Gears

May. 26th, 2006 | 12:39 am

Sol 4° Gemini,
Luna 22° Taurus
Dies Veneris

Ray Peterson

Tonight Ray and Ron Peterson performed Creem's
"Tales of Brave Ulysses" in Jerusalem:

TALES OF BRAVE ULYSSES
by Eric Clapton and Martin Sharp

You thought the leaden winter
would bring you down forever,
But you rode upon a steamer
to the violence of the sun.

And the colours of the sea
bind your eyes with trembling mermaids,
And you touch the distant beaches
with tales of brave Ulysses,
How his naked ears were tortured
by the sirens sweetly singing,
For the sparkling waves are calling you
to kiss their white laced lips.

And you see a girl's brown body
dancing through the turquoise,
And her footprints make you follow
where the sky loves the sea.
And when your fingers find her,
she drowns you in her body,
Carving deep blue ripples
in the tissues of your mind.

The tiny purple fishes
run laughing through your fingers,
And you want to take her with you
to the heartland of the winter.

Her name is Aphrodite
and she rides a crimson shell,
And you know you cannot leave her
for you touched the distant sands
With tales of brave Ulysses,
how his naked ears were tortured
By the sirens sweetly singing.

The tiny purple fishes
run laughing through your fingers,
And you want to take her with you
to the heartland of the winter.

Consummatum Est.

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Crystal Blue Persuasion

Mar. 28th, 2006 | 07:51 pm

 

Now playing: Nikhil Banerjee - Bhairavi - Gat in rupak tal

Darren Fox, aka “Brother MOLOCH”, posted an interesting
question to the Hyatt list today, regarding the identity
of the ‘Bluestone’ originally employed in Hoodoo.

Since the currently available Bluestone of the trade that
is found in Botanicas &tc. varies widely in both nature and
quality, it is not a bad idea to see if perhaps the identity
of 'Bluestone' might be resolved, so that an authentic
substance or composition might once again enter into
common usage.

 

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